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A.I. is sort of a peanut butter you can spread across [multiple industries]. With a precise idea of the conditions this thing Iâm designing will see in real life, I can design it better.âââMaurice Conti
DESIGN THINKING IN THE MACHINEÂ AGE
Thanks to design thinking advocates, designers have emerged to be taking over all sorts of founding and managerial roles in quite a few Big Tech players over the last couple of decades. At the same time, the advent of machine learning didnât succeed in challenging the design trade per se. Or did it? When artificial intelligence is taking over every other industry at this sweeping pace, there is an array of lingering questions arising in design and tech communities alike. How do we tame the machines to produce compelling graphics inducing human emotion and thought? How do we restrain from feeding AI with biased data by amateur non-designers? Will the exquisite Adobe software finally evolve into robotic tools taking over a human hand? Feelings and thought are very mixed, so let me reserve a piece of personal stance in this blog.
Ai-Da: the first ever robot artist who can draw without any human input.
DITCHING HUMAN DESIGNERS?
In the mid last century, probably the most celebrated commercial designer of the time, Paul Rand, noticed that the majority of âprofessionalsâ in ads business
ââŠnot even discriminating enough to distinguish between good and bad, between trendy and original, nor can they always recognize talent or specialized skills. In the field of design theirs is the dichotomy of being privileged but not necessarily being qualifiedâââafter all, design is not their businessâ.
Some fifty years in, and the situation has aggravated immensely. The abundance of tools and design assets available online is striking giving everyone having some basic Photoshop skills a chance to create graphics of dubious quality. Ditch the years of design training / self-learningâââall you need is a Macbook and Adobe Suite (side noteâââyouâd better get a Wacom too).
Now, with robot-designers this design education gap will get completely out of control. On the flip-side though, machines have to be heavily trained, and preferably by top-notch designers to make sure the output is adequate. Sounds like a pricey endeavour to me, however, could be another alternate career pathway for graphic design graduates, and consolation to those thinking that humans will be kicked out of the profession entirely. I do believe that this sort of facilitator / teacher role can prove to be most viable, if not exciting, for evolving artistic trades. Collaborating and sharing knowledge while building #ML toolsâââIâm down for that.
AI TOOLSâââDESIGNERSâ LITTLEÂ HELPERS
In the wake of the recent news of the worldâs first machine-artist, a reasonable angle to look at AI is like another tool for artists, like the camera, or the drum machine. Creators are adept to playing with devices and all sorts of collaboration, which is a great way to get those juices flowing, ainât it so?
More so, with AI extensively taking over the niche of affordable freebee design-tools, it seems logical to exploit the âlittle helperâ further to speed up the flow and automate some tedious tasks like preparing, sorting or unifying design assets. Because no one likes to spend hours cropping / retouching hundreds of jpegs. From creating instant pattern variations and legit UI tools to pretty basic logo generators; to more exquisite design tools like Adobe Sensei and Intelligent Alertsâââall these are great time savers loved by designers and businesses. Robotic intelligence is also a great way to help making design decisions bringing complex data analysis to the table to iterate faster and consider multiple options otherwise not available to a human eye.
WHATâS INHERENTLY WRONG WITH AI DESIGN-GENERATORS?
Well, to my mind, theyâre entirely missing the âmetaphor-behind-the-design point. And if the task of exerting any meaningful emotion resonating with the human audience seems plausible for further robo-generations, that of designing a poster in a way to provoke human brain to âclose the Gestaltâ will hardly ever be. And of course there is barely a machine (at least, for now) capable of constructing a logo that would satisfy this timeless criterion by Sir Paul Rand: âA logo is less important than the product it signifies; what it means is more important than what it looks likeâ.
Another danger inferred by placing human bias and design illiteracy into machine brain. Design amateurs should steer clear, and itâs responsibility of forward-thinking design community to rely on high-class design educators when feeding artistic data to robobrain. âLack of humility and originality ⊠the absence of restraint, the equation of simplicity with shallowness, complexity with depth of understanding, and obscurity with innovation, distinguishes the quality of work of these timesâ,âââapplied to our new realia means âdo not let engineers with bad taste ever approach the machine.
Cam robodesigners be that exquisite?
More complex AI solutions are still pricey, so the majority design newbies hoping to get some exceptional result with the help of âadvanced techâ still have access only to the elementary online generators like. My fellow designers, have you noticed how basic and shallow are Logobankâs graphics? You throw in some yellows and bananas, and it spits out a perfectly aligned âJuice Barâ in a yellow circle-container logo. Come on, we all know that first-level associations never work in design!
FANCY THE AIRBNB LOGO REDESIGNED BY AÂ MACHINE
Sounds dodgy, no? It is human talent that will be in charge of designing machines and machine learning applications, while others will make use of advanced Photoshop and Illustrator tools to cut down the tiresome work. Over the time machines will surely learn design principles and techniques, but can they learn human emotion? According to A.I. Superpowers: China, Silicon Valley, and the New World Order, one thing the machines canât do is âbuilding empathy, compassion, and trustâââall of which require human-to-human connectionâ. Only humans can truly make a product that serves its customer in a meaningful way. As Paul Rand aptly puts it:
âDesign can help inform, delight, and even persuadeâââassuming that the designer is an artist and not just someone focused on the nonsense of âself-expressionâ or on the fads of the moment. ⊠good design is not the product of market research, but of natural talentâ.
Will human-centered design leave the human designers behind? was originally published in Hacker Noon on Medium, where people are continuing the conversation by highlighting and responding to this story.
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